Monday, April 13, 2015

TWO YOUNG ELIZABETHAN SCHOLARS MEET IN LONDON AND BEGIN A LIFE-CHANGING ADVENTURE

(Two young Elizabethan scholars meet in london, share a meal, ideas, poetry and the notion of writing a book together. They also discover that they will become friends.)  


‘O, thou art fairer than the evening air,
  Clad in the beauty of a thousand stars.’


    Kate asked, “Your favorite poets?” And they were off.
    “ ‘O Doctor Cupid, thou for me reply-’ ”
    “ ‘Driven else to grant by angel’s sophistry-’ ”
    They grinned at each other and their eyebrows were up as they recited together, “ ‘That I love not, without I leave to love.’ ” And as they laughed, Mark forgot about the stinging cuts and the pulling stitches.
     “Sidney used phrases I’ll never forget, like ‘Slave-borne Muscovite.’ ”
     Kate shot back with “ ‘Upon my sunburned brain,’ ” and the game accelerated.
    “Right, right, ‘Dribbed shot,’ sounds like basketball.”
    “Or football, or as you call it soccer. Like Horace, ‘Poetry to teach and delight.’ ”
    “ ‘Speaking pictures,’ or ‘Broidered with bulls and swans.’ ”
    “ ‘Powdered with golden rain,’ wonderful imagery.”
    “ ‘Or snorted we in the seven-sleepers den?’ ”
    “ ‘Twas so, but this, all pleasures fancies be.’ You, cozener, Mark, you jumped a few decades on me.”
    “I knew I couldn’t catch you out with Donne. Try this, ‘Then sprang up first the-’ ”
    “Um, wait, I know-”
    “Hint, Gol-”
   “Of course!” The words gushed out in one breath. “ ‘ . . . sprang up first the golden age, which of itself maintained,’ the translator Arthur Golding on the golden age from Metamorphoses.”
   Mark ordered two pints. “That was one of Shakespeare’s favorite books, I read or heard.”
   “It’s a line on Ovid, ‘My mother gave it to me,’ from Titus Andronicus which makes me wonder whether Shakespeare brought it out of his memory bank. It was alleged that he forgot nothing, a human sponge who sopped up every worthwhile phrase he ever heard, ‘Screwed to my memory.’ ”
  “You’re incredible. I wonder what he was like as a kid?”
  “I’ve tried to imagine him. Whip smart, happy, full of ideas, writing things down, staging neighborhood plays, irrepressible.”
  “You’re right, probably had a great self image, total self-confidence, born actor, writer. He must have had smart, supportive parents. I was thinking, came across something that reminded me, that scholars have talked about the so-called lost years and before his young adulthood; but nobody, as far as I know, has written a fictional account of what he did.”
  Kate smiled and thoughtfully shook a forefinger. “Exactly, they say he had to have known the law, the military, the sea, business transactions and much more.”
 “Thinking he showed up in London in 1590, or before, and started writing plays is silly. Even genius doesn’t work that way. You need a fund of life experiences to create like he did. Like someone said, to be successful you’ve got to have knowledge and know-how.”
 “Know what to do and how to do it.” He’s an even-handed conversationalist, a switch from former let-me-explain-to-you-that–which-you-clearly-don’t-understand boyfriends.
  “Right, you could only describe a young Shakespeare’s thought processes through examples, show how he accumulated the facts, information, whatever else he needed. Here’s a thought. How about we pool our ideas and work together? You and I could write that book.”
  The idea hung in silence for a moment. Kate stared off into space, considering and thinking: I like it, before saying with a smile, “You’re woolgathering.”
  “More like trading the wool, or brogging as the Elizabethans called it. It’s not so crazy. We could devise his life in logical ways that give him the awareness he needed in order to write what he did.”
  Time passed unnoticed, and the manager approached. “We’re closing now and need to clean up. I’ll bring your check. That last round was on me.”
  “Thank you. . . . How can you afford this bacchanalian feast on a student’s stipend?”
  “My father’s a Wall Street investment banker.”
  “I think I will see you again.” They had another good laugh, held eye contact and touched hands across the table.
  During a reflective walk through quiet London streets, Kate thought: Eventful night, I like his style, attractive person, bright. Just met, and we’re talking about writing a book together.
  Should I hold her hand? I think she likes me. Don’t push it. I want to kiss her. They reached Kate’s door.
  “Could I see you tomorrow? Nine o’clock right here, morning I mean. Maybe we can go to the Middle Temple and then talk more about our budding bestseller?” She averted her eyes and her expression was ambivalent. Again he thought: Please say yes.
  Parroting Mark with a grin, “You realize this might be a mistake, but it could be the start of an adventure. Could we make it at ten? It’s been a late night, well past my usual bedtime, and I’ve got a few things to do first thing.”
  “Ten o’clock it is, we’re on.”
  “Thanks for supper and a nice talk. Take care of those cuts.” She kissed him lightly on the lips and went inside. He stood there looking at her door. You’ll never get rid of me, and I will marry you. And then, sore leg and all, he walked all the way home with a happy look on his face.
‘I saw eternity the other night,
                  Like a great ring of pure and endless light.’

(This vignette was adapted from a much-longer scene and was excerpted from Discovering Will’s Lost Years and the Marlowe-Shakespeare Lost Play: Uncovering 16th and 21st-Century Mystery, Treachery and Obsession)


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Monday, April 6, 2015

THOMAS KYD HIDES MARLOWE-SHAKESPEARE LOST PLAY


(Thomas Kyd is suspected of hiding the Marlowe-Shakespeare lost play and is interviewed by Richard Topcliffe, a ruthless agent of the Queen.)

“That, and all else you have forwarded to me is fabrication at its worst. Mark what I say. You aided and conspired with Marlowe, a known atheist and plotter against the government. Richard Baines has also told us of your heresy.”
  “A man of your intelligence believes Richard Baines, a Catholic priest of ill repute, a hedge-priest and confirmed liar who will concoct any convenient yarn? Please.”
  “Did you know that I told the Queen of a problem that I suffered?” Topcliffe smiled, adjusted his lace sleeve and sighed. “The Tower is at an inconvenient distance from my home. How could I be expected to dash thither and yon to question miscreants like you? They surely would not move The Tower for me. The Queen proved understanding of my dilemma and provided the funds for a proper chamber to be built in the cellars beneath my house. Just think, Thomas, you will be in two infamous cellars in the span of two days. Do you wish to spare yourself this unpleasant business and confess to me? . . . No?” Topcliffe reached for a long, wooden staff and twice rapped it against the wood floor. Two men appeared, took Kyd by the arms and led him away followed by Topcliffe’s long, stooped and wiry frame. On the way, Topcliffe paused to arrange flowers in a vase and take one for his buttonhole.
  When they reached the grim chamber, Kyd saw the instruments of torture waiting for him. He said in a strangled voice, “Richard, do what you must, but since I do not know where Norreys put the papers, torturing me will reveal nothing. You would do well to interview Marlowe. You say he is in Deptford with Poley.” The escorts removed their shirts and dutifully prepared the tools of their trade.
  “Alas, I had forgotten, Marlowe is dead, dispatched over a reckoning I have learned.” Topcliffe smiled. “The news has left me grief-shot.”
   He surely was killed over the missing play, and sadly I will suffer the same fate.

(This vignette was excerpted from a longer scene in Discovering Will’s Lost Years and the Marlowe-Shakespeare Lost Play: Uncovering 16th and 21st-Century Mystery, Treachery and Obsession.


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Tuesday, March 31, 2015

NEAR PERFECTION: BILL WALTON OF UCLA AND NCAA BASKETBALL CHAMPIONSHIP AND THE NBA

The lovely, sprawling campus of UCLA, the University of California at Los Angeles, is located in Westwood, a wealthy suburb near Beverly Hills. Since the slim, white-toothed, attractive students look straight out of central casting, a campus stroll is like walking through a movie set. For all its physical charm, academic reputation, and football success, UCLA is most synonymous with basketball and specifically identified with the halcyon days of Coach John Wooden, the “Wizard of Westwood.”
 NBA luminary Lenny Wilkens and John Wooden are the only people who have been elected to the Basketball Hall of Fame as both a player and coach.²⁵ He (Wooden) was the 1932 college player of the year at Purdue and three-time all-American. Wooden later coached successfully at the high school level and at Indiana State. He became UCLA’s head coach in 1948 and continued until his retirement in 1975.²⁶
WHEN HE RETIRED AS A PLAYER IN 1975, (Lenny) Wilkens ranked second on the NBA all-time assist list with 7,211 (6.7 avg). Wilkens had the uncanny ability to serve as a player and coach simultaneously, logging three seasons with Seattle and one with Portland before moving on to concentrate solely on coaching.²⁷
THIS BOOK contains stories about many sports dynasties: the New York Yankees, Montreal Canadiens, Boston Celtics, and Calumet Farm. UCLA’s basketball dynasty ranks up there with the best of them, and nearly matches the Boston Celtics’ historic run of eight straight NBA championships from 1958-1966 and 10 championships in 11 years.
ACHIEVING UNITY. John Wooden’s UCLA teams produced a stratospheric 620-147 record, four undefeated seasons, 88 consecutive victories, and 10 national championships from 1964-1975, with an unprecedented seven in a row from 1966-73.²⁸
 Wooden was a fine teacher who never swore or raised his voice in anger. He believed that strong personal values were the key to success in any sport. His players were highly disciplined, made few mistakes, and wore down the opposition with unity, an unselfish fast-break offense combined with high-percentage shooting, and a swarming zone press that mercilessly harassed opposing players attempts to advance the basketball.
 No college basketball coach ever recruited and developed talent like John Wooden. The list of UCLA and later NBA stars is long and impressive: Kareem-Abdul Jabar, Gail Goodrich, Marques Johnson, Walt Hazzard, Bill Walton, and many more.
 The complete and versatile six-eleven Walton was a dominating basketball player from high school right through into the NBA. He was the all-American center on UCLA teams that won 88 straight and recorded back-to-back 30-0 seasons.²⁹
 In 1973, as a UCLA junior, Bill Walton delivered an indelible classic that embodied Wooden’s coaching genius. UCLA sought its seventh consecutive national championship when they met a tough Memphis State team in the 1973 NCAA final game. Walton anchored the defense like the team player he was, grabbed 13 rebounds, passed impeccably, and scored 44 points on extrasensory 21-22 shooting as UCLA won another title. Bill Walton’s feat was basketball at its acme as taught by John Wooden and may have come the closest to single-game basketball perfection ever played at any level.³⁰

  After many college honors such as Player of the Year, Academic All-American and Sullivan Trophy, Bill Walton went on to a successful NBA career where he won an MVP and two titles, the first with the Portland Trail Blazers. Later in his career, he joined the Boston Celtics in 1986 and won his second NBA title and a Sixth Man of the Year Award. Walton and Larry Bird on the floor together was basketball magic.
  Bill Walton’s career was frequently interrupted by myriad foot and ankle injuries. The maladies may have been caused by the fact that although his feet were big for the average person, they were small for a player who was listed at six-eleven, but was probably over seven feet.
  Walton’s intelligence, big personality, wit and strong voice were good fits for announcing NBA games where he continues to excel.

NBA BASKETBALL ANNOUNCER Bill Walton on celebrated player John Stockton: “He’s one of the true marvels of Western Civilization.”
Fellow Announcer: “Wow. that’s a pretty strong statement, Bill. I guess I’m no authority on Western Civilization.”
Walton: “That’s because you didn’t go to UCLA.”   

(This story was excerpted from Guts in the Clutch: 77 Legendary Triumphs, Heartbreaks and Wild Finishes in 12 Sports, Illustrated, with a Foreword by Drew Olson of ESPN.)


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SOURCES:
25 Courtesy of the Naismith Memorial Basketball Hall of Fame,    
           http://www.hoophall.com/halloffamers/Wooden.htm, available as of
      7/27/05
26        Basketball Hall of Fame, Wooden
27 Courtesy of the Naismith Memorial Basketball Hall of Fame,  http://www.hoophall.com/halloffamers/bhof-lenny-wilkens.html
28 Basketball Hall of Fame, Wooden
29 Courtesy of the Naismith Memorial Basketball Hall of Fame,
 7/27/05
30        Basketball, Hall of Fame, Walton

Sunday, March 29, 2015

WILL SHAKESPEARE AT !7 IMPROVISES A SCENE FROM THE FAIRY MAB LEGEND

(Will at 17 first meets the players while tutoring Lord Strange’s children. Here he suggests then improvises a scene based on the dark side of the fairy Mab legend.)

  Will launched into it, “Hark, night-tripping fairies and pause waggoner. We shall not play in the dark, come out of the curtained, hazelnut chariot.” Then, improvising the physicality, dashing, hopping, spinning about the stage while speaking the words of all the fairies in various voices, snarling here, sweet-talking there, talking of nipping noses, tweaking ears, stubbing toes, and causing lovers to embrace and kiss, or judges to rule fairly, betraying soldier’s dreams. Will stopped, extended his arm as though a wand, and again playing Mab’s part, “The sun shines too hot, rest in the shade darling fairies. The evil spirits are banished, and we sing at heaven’s gate. Let us gather our vanities and kneel to the gods,” and he knelt with a lowered head.
  The players applauded. Will stood, bowed and walked off.
  “What is your name again, Lad.” Browne asked.
  Lord Strange, who had been joined during Will’s performance by Lady Strange, rose, “He is William Shakespeare, my children’s tutor. I see he is more gifted in poetic language and dance than I expected from a ploughman’s son. Shakespeare, write down the parts for these players and leave one for yourself. You invented and played well. As I spoke today, do not let your dramatics interfere with your duties. You may continue, Browne,” and he and Lady Strange left the room, as Browne and the players gathered around Will.

(This brief vignette was excerpted from a much-longer scene involving Will in a life-altering tutoring job. It was excerpted from Discovering Will’s Lost Years and the Marlowe-Shakespeare Lost Play: Uncovering 16th and 21st-Century Mystery, Treachery and Obsession)


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Saturday, March 28, 2015

WORLD WAR TWO: 'CRY WOE, DESTRUCTION, RUIN AND DECAY . . .'

  While the allies were napping, the opportunistic German commander Field Marshall Kesserling brought up massive reinforcements. He embedded howitzers and mortars on the hills circling the beach and rained death on the Americans. Ships in the harbor were sunk and badly damaged with a huge loss of life. Steve’s ship pulled out of range early and avoided harm.
  Tanks deployed by Kesserling pointed their devastating 88 mm guns at the Americans on the beach killing and wounding thousands. Anzio was one of the worst American military debacles of the war in Europe, and it could have been avoided had aggressive forward action been taken early in the invasion.
  After weeks of havoc, the reinforced Americans broke out of the now-widened beachhead, the Germans retreated to a stronger northern position and Rome was taken. Steve got off the ship, was given new orders to a place he thought was on the Adriatic coast. Why there and why me, and who figures this shit out? Because all roads supposedly lead to Rome, Steve’s unit rode through. He caught glimpses of some landmarks: the Tiber River, Vatican City, the Coliseum and lots of fountains.
  The Italians cheered, and he saw pretty, smiling girls in summer dresses and was reminded, as if he needed it, of Suzanne. The driver was going around in circles and needed directions. They were allowed to get out of the truck near the Spanish Steps. Nearby, a comely American captain stood next to a grinning major. His body language displayed all the appearances of courting. Steve approached them and saluted. “Excuse me, Captain; are you with the Nurse Corps?”
  “Yes, I am. What do you want to know
  “By some chance have you seen a nurse named Suzanne Cousineau?”
  “As a matter of fact I have. We were on a ship off Anzio together.”
  “Do you know where she is now?”
  “No, I don’t. She was among a detachment of nurses that was sent ashore.”
  “Was that after the breakout?”
  “No, they were sent during the worst part of the fighting.” She saw Steve’s face darken. “I probably shouldn’t have told you that. I don’t know where that group is now. I’m sorry.”
  The guys on the truck knew that Steve had gotten bad news, and when he stared into the middle distance they left him alone. It was June 6, 1944.

  The convoy rode east just south of the German lines. Steve was again put in an armored personnel carrier to transmit coded messages. It seemed that Italy had become the forgotten war. All anyone wanted to talk about was the invasion of Normandy. Through the clutter, he picked up that the Germans established a new defensive line that stretched eastward through the central portion of the Apennine Mountain chain and on to the Adriatic coast. And he understood that soon he would be out of the relative safety of the armored truck and moving north to help shatter that line.
  Despite that prospect, Steve’s spirits quickly reconstituted. Although he couldn’t bear to bring her photo out, he willed himself to believe that Suzanne survived Anzio, was the radiant woman of his memories and would be his lover and friend once more.
  As in the battle of Monte Cassino, Steve was an artillery observer leading a squad in a forward platoon. He knew that most artillery observers were officers and had gone to school for special training. He also knew that, like his assignment at Monte Cassino, most of them were dead or wounded, and he was a necessary replacement.
  Also like Monte Cassino, the Germans were entrenched and experienced. Unlike Cassino, the hills were heavily wooded, and the enemy was potentially behind every tree. Some of the veterans had been in brutal fighting on the German Winter Line, and their attitude was fatalistic. One, who had been in the Battle of San Pietro, said, “If you’re going to get it, and you eventually will, it might as well be here.”
  Before the climb toward entrenched German positions began, two advance scouts were dispatched to separate quadrants. No messages were received and neither returned. Since no shots were heard it was assumed that they escaped along a flank and were working their way back, or been captured, or killed silently. After a heated debate, the artillery laid down a heavy barrage above the topmost perimeter of the scout’s agreed-upon range. The fire control officers didn’t know what they were aiming at and what effect the shells might have.          
  Steve gathered his squad. “We’re going into an unknown situation. The best way to avoid being killed is kill them first. Keep separated, but keep me in sight and watch my hand signals. Speak only when absolutely necessary. Help each other, and we’ll get through it and out the other side. Check your weapons.”

(This vignette from a much-longer scene was excerpted from WW11 Soldier Flier Prisoner Partisan: Missing in Action and Presumed Dead)


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Friday, March 27, 2015

DIRTY DANCING ON SUNSET AND A ROOMLESS HOTEL ENCOUNTER

  The lights inside the Sunset Strip bar flashed silver, bronze and sexual promise among the shadows. Sam and Gia talked and watched the action as the bandleader made a muffled announcement. “You know the progressive?” Gia asked.
  “The dances from the fifties till now?”
  “Want to try it, win free beers?”
  Gia and Sam went on the floor with five other couples. The rest of the crowd circled the dance floor. Many of the men were there to watch Gia who had tucked her five-eight, figure skater’s form into a mini-sheath that could cause lesser clergy to shed their vestments.
  The dancers performed the twist, Brazilian samba, bump, disco, salsa, funk, the works. The outclassed competition gradually dropped out as Gia and Sam attained dirty dancing unity. As the last song ended to applause, Bruno, with bandaged nose, shouldered through the crowd and appeared at the edge.
  “See that big guy muttering on the left? He’s trouble.” The bandleader tapped Sam and Gia on the shoulders and they turned. Then Sam remembered Bruno, saw the roundhouse right coming and jerked his head back and to the right. The blow was still hard enough to put Sam on his back, and he slid on his shoulders into the crowd. Bruno looked pleased and started after Sam. Gia delivered a karate kick to the side of Bruno’s jaw that sounded like the thwock of a tennis serve. He caved in on himself like a detonated building and lay on his back, eyes open and glassy, body jerking.
  Heather barged out of the crowd spitting, swearing, kicking and throwing punches. Gia neatly sidestepped and dropped her mid-stride with a short right hand to the point of the chin that left her draped across Bruno, both peacefully napping.
  The bandleader gave his band mates an approving, corners-of-the-mouth turned down sideways head nod. Sam rejoined Gia. She took his hand, and they strode out of the club with the chilly, straight-ahead stare of runway models. The crowd parted wide, even the bouncers stepped back.
  Walking on Sunset, Sam asked, “You think he’s dead?”
  “Just coldcocked, twitching in dreamland, shithead even had a nice expression on his ugly puss. Now, there’s a yahoo. What do you think the wooly mammoth is six-seven? You okay?”
  “It was glancing, knocked me off balance. At least six-seven, probably three- hundred. Does your foot hurt, your hand?”
  “No, caught them both on the button. You know, like hitting a ball on the screws, you don’t feel a thing. It helped that my shoes have a hard toe. You had trouble with him before, right?”
  “He tossed me in a bar. Andy broke his nose.”
  “I’ll bet his jaw’s broken now, too, a few loose teeth. He’ll be back, you know, after both of us this time. He’ll need to reestablish his rep after getting decked by a woman. We’ll need Andy, too. How big is he?”
  “Six-four, maybe two-thirty. Who’d you learn karate from?”
  “Natalie’s father. He was a black belt. We went to a tough high school in D.C. You couldn’t take shit and survive.”
  “Gotta remind myself not to talk back to you. The guy . . .”
  “The new boyfriend of your cute ’n glass-jawed ex girlfriend.”
  “How’d you know that?”
  Gia shrugged. “You don’t have to be Sherlock to figure that one out. Nice abs, her shirt popped up when she landed on Bluto. You still canoodling with her? He thinks you are?”
  “I was finished with her before . . .”
  “Good. Since I already chilled her I won’t have to again. I’m territorial like an eagle or a wolf. I mate for life.”
  “You mad at me?” Sam asked with a sidelong look.
  “You’re on probation. Just make sure no more pissed-off boyfriends of ex girlfriends show up. I don’t want to get a reputation around town as a bad girl.”
  “I think you already achieved that.”
  They passed a hotel entrance and Gia stopped. “I have to go in and fix my makeup.”
  “But you don’t wear makeup,” Sam protested.
  “So I’ll put some on and fix it.”
  “You’re cuckoo.”
  As they entered the lobby a pinch-faced desk clerk gave them the hairy eyeball. Sam asked a goosey bellhop where the facilities were, and he pointed to a stairway leading to the mezzanine. Sam finished first and stood at the railing looking down into the lobby. Gia snuck up behind him, kissed his neck, gave running bites, nibbled at his ear and whispered, “You taste good enough to eat.”
  “Easy, wild thing, this ain’t the right venue.”
  Gia pointed to a dark corridor. “What do you think’s down there? I like to explore the dark unknown. Are you coming, or are you a fraidy-cat?”
  “Okay, mistress of the night. Don’t blame me if we get busted.”
  “Maybe they’ll let us share a cell if we explain we couldn’t afford a hotel room.”
  They walked into the increasing darkness. Gia saw a faint light on the left, pulled a curtain and asked, “What is this?”
  “Probably trouble.”
  Silhouetted by dim light, a standing couple embraced. Gia said, “Excuse us, my darlings.”
  “Hey, they’re mannequins,” Sam said as he stepped into the space. “This is the right venue.”
  “Naked and eager mannequins.”
  “She has no arms, the Venus de Milo.” Sam said.
  “Venus de Hotel and her hunky date.”
  Sam tapped the male mannequin’s shoulder. “May I cut in?”
  “You cut in and I cut out.”
  “I thought you liked him.”
  “I do. I wasn’t cutting out alone. Gia twirled the male mannequin and sang, “I haven’t a hope or a prayer in this sad affair . . .”
  “What do you do with an armless woman?”
  “Take a flight of fancy, Apollo. Venus may not have arms, but she has many charms.” Gia placed the male mannequin back in the embrace, took Sam’s arm, and before closing the curtain looked back and said, “Goodbye, wistful lovers.”
  The lobby sounds and light faded as they walked deeper into the corridor. Floor-to-ceiling drapes hung on the right. Sam pulled a drape. “Wonder what’s back here? Oh, it’s furniture storage.” Sam stepped in leading Gia by the hand and closed the drape. They kissed and caressed hotly. Soon, amid breathing and murmuring, clothes were pulled up, yanked down and stepped out of.
  Gia pleaded in a whisper, “Hurry, Sam.” He picked her up with two hands at the waist, walked them to a couch, and they fell on it in a frenzy.
(This scene was excerpted from the contemporary novel Larceny of Love.)

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